![]() ![]() “Heavenly Bodies” strikes the perfect balance between fashion and religion. Galliano’s figure is jaw dropping, captivating everyone’s attention.Ĭurators of the exhibit teach visitors the beliefs of the church - how ancient Catholics thought beauty and opulence was “divine transcendence.” There was an emphasis on religion throughout the exhibit, but it is never too much. The awe-inspiring angel had massive wings, a swirling dress and a golden, shooting stars-endorned crown. Designer John Galliano for House of Dior conceived a gown called the “Madonna Ensemble,” mirroring a white angel. The dresses displayed in the Met’s Medieval Sculpture Hall are larger than life. The exhibit effortlessly connects these pieces to the papal accessories on display, decorated in diamonds and precious gems. High profile designers, such as Versace, Saint Laurent and Dolce & Gabbana, went above and beyond to adorn celebrities’ outfits. Immediately after entering the Medieval Sculpture Hall, visitors are struck with awe as grandiose classical music plays on speakers and tall displays of costume are brightly lit.ĭresses from the Gala show the opulence of the historical Catholic Church. It wasn’t a Catholic procession for the Pope, but the night of the Met Gala. Heavenly Bodies and the Catholic Imagination Andrew Bolton, the Wendy Yu Curator in Charge of the Costume Institute of the Metropolitan Museum of Art, spearheaded the Met’s new show, Heavenly. A parade of halos, jeweled crosses, and Papal tiaras marched down a red carpet in New York on May 7th. The Met did more than just display Catholic garb - the exhibit transports onlookers to an unearthly place. The Mets 2018 Costume Institute exhibition, Heavenly Bodies: Fashion and the Catholic Imagination, explores the relationship between fashion and Catholicism. “Heavenly Bodies” tells a story that weaves together the ancient and the modern perfectly. “What struck me is how religion - Catholicism in particular - has really shaped the mind of these designers with a richness of imagery, a storytelling tradition, and seeing the world through metaphor,” the Met’s head curator, Andrew Bolton, said in a Vogue article.īolton could not be more right. Papal dalmatics, mitres and robes were sent on loan to the Met from the Vatican. More than 40 genuine Catholic vestments ranging from the 18th to early 21st century are displayed as well. “Heavenly Bodies” shares its theme with this year’s Met Gala, where celebrities wore outfits resembling the Pope, priests and other religious icons.
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